And now, something serious. Last Saturday, during the ENTA Alumni Party, four teams were tasked to create clothes that depict burning social issues and deep-seated truths about the Filipino sensibility. I just had to document this monumental event, hoping that someday, somehow, the two readers of this garbage dump of a blog would see the Philippines in a totally different light—a crepe paper-wearing society.

This gown, made by the Orange Team, brings to light the question of
Filipino Identity in the Age of Globalization. The white headdress, the significance of which is still subject to interpretation, could be seen either as a huge flower or as a good old-fashioned sunny side up. The blue round object the model is holding, perhaps the key element in this globalization-themed outfit, must not be seen as a symbol for the world because it is, in fact, a blue
queso de bola.

Green Team tackles
Charter Change with a ballroom gown that consists of the absurd coupling of a flower-filled shawl-top and an asymmetrical skirt with a ruffled train
in front of the model. It should be noted that the train does not trail on the ground—it doesn’t even touch the ground—making it a non-train. The important thing about this outfit is that it cannot be worn in any [dancing] occasion because only absolute immobility keeps it intact.
Women’s Rights is the burning issue of choice for members of the Pink Team. This three-piece ensemble consists of a tube top and a flowing skirt, both made of plastic garbage bags, and big green hair with a blue headband. Transparent armbands made of scotch tape and blood red body paint accessorize the outfit, presumably signifying subtle bondage and senseless violence, respectively.

The Blue Team crafted a tunic (at least, that's how it looks to me) that symbolizes
Overpopulation and the tremendous poverty it entails by interspersing 2-dimensional paper heads with what appears to be colorful details of squalor and chaos. The purple veil, not your garden-variety veil of suffering, is in fact the
Lambong ng Dusa ng Mater Dolorosa, a reference to Filipino Christian tradition and values. Strangling the model is an umbilical cord that stretches down to the ground. It’s got a paper doll (not shown in this photo) hanging on its end, dangling by the model’s feet, symbolizing the poor Filipino child that remains uncared for.